I am a transmedia composer. By transferring concepts into different media, I create an ambiguous experience. I want to uncover the breaks and gaps in hierarchies and enable a new perspective in concerts, performances and sound installations. By working far away from concert halls - for example in public swimming pools, water towers, research institutes, museums or rural meadows - I am looking for a multi-layered audience.
Feel free to contact me.
The audiovisual installation “singing birds in the morning sun” deals with the area surrounding the Bruder Klaus Chapel by Swiss architect Peter Zumthor. The awakening of the place at dawn can be experienced in a composition lasting 106 minutes. Visitors are invited to listen to the sunrise in midsummer. The installation uses ambisonics audio, enabling an immersive spatial experience of sound in front of and inside the chapel.
For the composition, Vincent Stange worked at night and at dawn in the chapel, recording bats, birds, and swaying blades of grass and leaves. The installation connects two of Zumthor’s buildings: the chapel and the KOLUMBA museum.
related project: mapping moments, mapping moments 2, mapping moments 3
The project was developed within the framework of the Transient Kulturprojekte 2025.
TRANSIENT Interdisciplinary Research Ensemble
Neus Estarellas Calderón, piano
Vanessa Porter and Vera Seedorf, percussion
Olivia Stahn, voice
Valerie Fritz, violoncello
Vincent Stange, electronics and composition
Jeremias Schwarzer, recorder and artistic direction
Folkert Uhde and Ilka Seifert, concertdesign
Noah Vincenz, production
Location
KOLUMBA
Kolumbastraße 4, 50667 Köln
Duration: 106 Minuten
TRANSIENT is supported by Kunststiftung NRW.







